| 000 | 03399cam a22005654a 4500 | ||
|---|---|---|---|
| 001 | muse4030 | ||
| 005 | 20241121082724.0 | ||
| 008 | 110308s20112011////////o//////00/0/////d | ||
| 010 | _z 2011008422 | ||
| 020 | _a9780813931661 | ||
| 020 | _a0813931665 | ||
| 020 | _z9780813931616 (cloth : acid-free paper) | ||
| 020 | _z0813931614 (cloth : acid-free paper) | ||
| 020 | _z9780813931623 (pbk. : acid-free paper) | ||
| 020 | _z0813931622 (pbk. : acid-free paper) | ||
| 040 |
_aMdBmJHUP _cMdBmJHUP _bspa |
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| 050 | 0 | 0 |
_aPS374.P64 _bG7 2011 |
| 082 | 0 | 0 | _a813/.5409 |
| 100 | 1 |
_aGrausam, Daniel, _d1975- |
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| 245 | 1 | 0 |
_aOn Endings _h[Recurso electrónico] : _bAmerican Postmodern Fiction and the Cold War / _cDaniel Grausam. |
| 260 |
_aCharlottesville : _bUniversity of Virginia Press, _c2011. _e(Baltimore, Md. : _fProject MUSE, _g2015) |
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| 300 | _a1 online resource (viii, 196 p. ) | ||
| 336 | _atexto | ||
| 337 | _acon mediación | ||
| 338 |
_aonline resource _bcr _2rdacarrier |
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| 504 | _aIncludes bibliographical references (p. [179]-189) and index. | ||
| 505 | 0 | _aIntroduction: On endings -- Institutionalizing postmodernism: John Barth and modern war -- The Crying of Lot 49, circa 1642; or, Pynchon, periodicity, and total war -- The time of the nation, the time of the state -- Unthinking the thinkability of the unthinkable -- Trying to understand end zone -- The dominant tense: Richard Powers and late postmodernism -- Afterword: Critical conventions/postmodern canons. | |
| 516 | _aLibro Electrónico | ||
| 520 | _aWhat does narrative look like when the possibility of an expansive future has been called into question? This query is the driving force behind Daniel Grausam's On Endings, which seeks to show how the core texts of American postmodernism are a response to the geopolitical dynamics of the Cold War and especially to the new potential for total nuclear conflict. Postwar American fiction needs to be rethought, he argues, by highlighting postmodern experimentation as a mode of profound historical consciousness. On Endings significantly extends the project of historicizing postmodernism while returning the nuclear to a central place in the study of the Cold War. | ||
| 588 | _aDescription based on print version record. | ||
| 650 | 0 | _aCold War in literature. | |
| 650 | 0 |
_aCold War _xInfluence. |
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| 650 | 0 |
_aPostmodernism (Literature) _zUnited States. |
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| 650 | 0 |
_aAmerican fiction _xHistory and criticism _xTheory, etc. |
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| 600 | 1 | 0 |
_aPowers, Richard, _d1957- _xCriticism and interpretation. |
| 600 | 1 | 0 |
_aPynchon, Thomas _xCriticism and interpretation. |
| 600 | 1 | 0 |
_aBarth, John, _d1930- _xCriticism and interpretation. |
| 655 | 7 |
_aElectronic books. _2local |
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| 710 | 2 | _aProject Muse. | |
| 830 | 0 | _aBook collections on Project MUSE. | |
| 856 | 4 | 0 |
_zLeer en línea: _uhttps://muse.jhu.edu/book/14195/ |
| 856 | 4 | 0 |
_uhttp://www.udb.edu.sv/biblioteca/inicio_recursos_electronicos.php _zNota: disponible en formato electrónico, si esta fuera de la Universidad para acceder debe autenticarse primero en la sección de recursos electrónicos del sitio web de biblioteca y luego dar clic al botón leer en línea |
| 942 |
_cL-E _eJorge Bonilla |
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| 945 | _aProject MUSE - 2011 Literature | ||
| 945 | _aProject MUSE - 2011 Complete | ||
| 999 |
_c123702 _d123702 |
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