000			03894cam a22005894a 4500
001			muse3809
005			20241121074101.0
008			120411s20122012////////o//////00/0/////d
020			_a9789888053872
020			_a9888053876
020			_z9789888083329
040			_aMdBmJHUP _cMdBmJHUP _bspa
050		4	_aPN1993.5.J3 _bT495 2012
082	0	4	_a791.430952
100	1		_aTezuka, Yoshiharu.
245	1	0	_aJapanese Cinema Goes Global _h[Recurso electrónico] : _bFilmworkers' Journeys / _cYoshiharu Tezuka.
260			_aHong Kong [China] : _bHong Kong University Press, _c2012 _e(Baltimore, Md. : _fProject Muse _g2012) _e(Baltimore, Md. : _fProject MUSE, _g2015)
300			_a1 online resource (1 electronic text (x, 200 p.) :) _bdigital file.
336			_atexto
337			_acon mediación
338			_aonline resource _bcr _2rdacarrier
490	1		_aTransAsia : screen cultures
500			_aIssued as part of book collections on Project MUSE.
504			_aIncludes bibliographical references (p. [181]-196) and index.
505	0		_aIntroduction -- ch. 1. Japanese national identity and "banal" cosmopolitalization -- ch. 2. Internationalization of Japanese cinema : how Japan was different from the West and above Asia before globalization -- ch. 3. Globalization of film finance : the actually existing cosmopolitanisms of Japanese film producers -- ch. 4. Global America? : American-Japanese film co-productions from Shogun (1980) to The grudge 2 (2006) -- ch. 5. Pan-Asian cinema? : the past of Japan-centred regional cosmopolitanism.
516			_aLibro Electrónico
520			_aJapan's film industry has gone through dramatic changes in recent decades, as international consumer forces and transnational talent have brought unprecedented engagement with global trends. With careful research and also unique first-person observations drawn from years of working within the international industry of Japanese film, the author aims to examine how different generations of Japanese filmmakers engaged and interacted with the structural opportunities and limitations posed by external forces, and how their subjectivity has been shaped by their transnational experiences and has changed as a result. Having been through the globalization of the last part of the twentieth century, are Japanese themselves and overseas consumers of Japanese culture really becoming more cosmopolitan? If so, what does it mean for Japan's national culture and the traditional sense of national belonging among Japanese people?
588			_aDescription based on print version record.
650		0	_aCulture and globalization _zJapan.
650		0	_aMotion pictures _xSocial aspects _zJapan.
650		0	_aMotion pictures and globalization _zJapan.
650		0	_aMotion picture industry _zJapan _xHistory.
655		0	_aElectronic books.
655		7	_aElectronic books. _2local
710	2		_aProject Muse.
776	0	8	_iPrint version: _z9888083325 _z9789888083329
710	2		_aProject Muse.
830		0	_aTransAsia: screen cultures.
830		0	_aBook collections on Project MUSE.
856	4	0	_zLeer en línea: _uhttps://muse.jhu.edu/book/12698/
856	4	0	_uhttp://www.udb.edu.sv/biblioteca/inicio_recursos_electronicos.php _zNota: disponible en formato electrónico, si esta fuera de la Universidad para acceder debe autenticarse primero en la sección de recursos electrónicos del sitio web de biblioteca y luego dar clic al botón leer en línea
942			_cL-E _eJorge Bonilla
945			_aProject MUSE - 2011 Film, Theater and Performing Arts
945			_aProject MUSE - 2011 Complete
945			_aProject MUSE - 2011 Asian and Pacific Studies
999			_c123084 _d123084