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Aristotle and Black Drama [Recurso electrónico] : A Theater of Civil Disobedience / Patrice D. Rankine.

Por: Colaborador(es): Tipo de material: TextoTextoSeries Book collections on Project MUSEDetalles de publicación: Waco, Texas : Baylor University Press, 2013. 2015)Descripción: 1 online resource (pages cm)Tipo de contenido:
  • texto
Tipo de medio:
  • con mediación
Tipo de soporte:
  • online resource
ISBN:
  • 9781602584549
  • 1602584540
Tema(s): Género/Forma: Clasificación CDD:
  • 812.009/896073
Clasificación LoC:
  • PS338.N4 R36 2013
Recursos en línea:
Contenidos:
Introduction: Civil disobedience as resistance to tradition and performance -- Classical origins of character and Adrienne Kennedy's Funnyhouse of a negro, Electra, and Orestes -- The Oedipus story and the perfect play, or The gospel according to Rita Dove: The darker face of the earth and Sonata Mulattica: a life in five movements and a short play -- Racial intent and dramatic form: Eugene O'Neill's All Gods' chillun got wings and The Emperor Jones -- Aristotle's Spectacle and August Wilson's Spectacle character: Joe Turner's Come and gone -- Freedom songs and metaphors of healing: Eugene O'Neill's Mourning becomes Electra, Lorraine Hansberry's A Raisin in the sun, and Suzan-Lori Parks' Venus and Topdog/Underdog -- Truth and reconciliation: civil disobedience and the cosmopolitan citizen: Charles Smith's The gospel according to James, Thomas Bradshaw's Mary, David Mamet's Race, and Bruce Norris' Clybourne Park.
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Includes bibliographical references and index.

Introduction: Civil disobedience as resistance to tradition and performance -- Classical origins of character and Adrienne Kennedy's Funnyhouse of a negro, Electra, and Orestes -- The Oedipus story and the perfect play, or The gospel according to Rita Dove: The darker face of the earth and Sonata Mulattica: a life in five movements and a short play -- Racial intent and dramatic form: Eugene O'Neill's All Gods' chillun got wings and The Emperor Jones -- Aristotle's Spectacle and August Wilson's Spectacle character: Joe Turner's Come and gone -- Freedom songs and metaphors of healing: Eugene O'Neill's Mourning becomes Electra, Lorraine Hansberry's A Raisin in the sun, and Suzan-Lori Parks' Venus and Topdog/Underdog -- Truth and reconciliation: civil disobedience and the cosmopolitan citizen: Charles Smith's The gospel according to James, Thomas Bradshaw's Mary, David Mamet's Race, and Bruce Norris' Clybourne Park.

Libro Electrónico

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