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Bulldaggers, Pansies, and Chocolate Babies [Recurso electrónico] : Performance, Race, and Sexuality in the Harlem Renaissance / James F. Wilson.

Por: Colaborador(es): Tipo de material: TextoTextoSeries Triangulations | Book collections on Project MUSEDetalles de publicación: Ann Arbor : University of Michigan Press, 2010. 2015)Descripción: 1 online resource (ix, 260 p. :) illTipo de contenido:
  • texto
Tipo de medio:
  • con mediación
Tipo de soporte:
  • online resource
ISBN:
  • 9780472026968
  • 0472026968
Tema(s): Género/Forma: Clasificación CDD:
  • 812/.5209896073
Clasificación LoC:
  • PS338.N4 W555 2010
Recursos en línea:
Contenidos:
Introduction: "It's getting dark on old Broadway" -- "Gimme a pigfoot and a bottle of beer": parties, performances, and privacy in the "other" Harlem Renaissance(s) -- "Harlem on my mind": New York's black belt on the Great White Way -- "That's the kind of gal I am": drag balls, "sexual perversion," and David Belasco's Lulu Belle -- "Hottentot potentates": the potent and hot performances of Florence Mills and Ethel Waters -- "In my well of loneliness": Gladys Bentley's Bulldykin' blues -- Conclusion: "you've seen Harlem at its best".
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Includes bibliographical references and index.

Introduction: "It's getting dark on old Broadway" -- "Gimme a pigfoot and a bottle of beer": parties, performances, and privacy in the "other" Harlem Renaissance(s) -- "Harlem on my mind": New York's black belt on the Great White Way -- "That's the kind of gal I am": drag balls, "sexual perversion," and David Belasco's Lulu Belle -- "Hottentot potentates": the potent and hot performances of Florence Mills and Ethel Waters -- "In my well of loneliness": Gladys Bentley's Bulldykin' blues -- Conclusion: "you've seen Harlem at its best".

Libro Electrónico

Description based on print version record.

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