Dante, poet of the secular world / Erich Auerbach ; Michael Dirda ; Ralph Manheim.
Tipo de material:![Texto](/opac-tmpl/lib/famfamfam/BK.png)
- 9781590172193
- 851.1 A917
Tipo de ítem | Biblioteca actual | Colección | Signatura | Copia número | Estado | Fecha de vencimiento | Código de barras | |
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Biblioteca Rafael Meza Ayau | Colección Roberto Murray Meza | 851.1 A917 2001 (Navegar estantería(Abre debajo)) | 01 | En proceso físico | 72100 |
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824 O58 2013 On heroes, hero-worship, and the heroic in history / | 840 F587 2015 Madame Bovary/ | 840.9 P874 1966 Studies in human time / | 851.1 A917 2001 Dante, poet of the secular world / | 860 M333 1967 Al margen de estos clásicos Autores españoles del siglo XX / | 860 O49 1971 Antología de la poesía hispanoamericana contemporánea: 1914-1970/ | 860 P984 1999 El Puntero : apuntado con Apuntes Breves/ |
Includes bibliographical references (p. 181-191) and index.
Erich Auerbach’s Dante: Poet of the Secular World is an inspiring introduction to one of world’s greatest poets as well as a brilliantly argued and still provocative essay in the history of ideas. Here Auerbach, thought by many to be the greatest of twentieth-century scholar-critics, makes the seemingly paradoxical claim that it is in the poetry of Dante, supreme among religious poets, and above all in the stanzas of his Divine Comedy, that the secular world of the modern novel first took imaginative form. Auerbach’s study of Dante, a precursor and necessary complement to Mimesis, his magisterial overview of realism in Western literature, illuminates both the overall structure and the individual detail of Dante’s work, showing it to be an extraordinary synthesis of the sensuous and the conceptual, the particular and the universal, that redefined notions of human character and fate and opened the way into modernity
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