Hip Hop on Film (Registro nro. 127912)
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| Campo de control de longitud fija | 06812cam a22005414a 4500 |
| 001 - CONTROL NUMBER | |
| control field | muse28624 |
| 005 - FECHA Y HORA DE ULTIMA TRANSACCION | |
| Campo de control | 20241121083020.0 |
| 008 - ELEMENTOS DE LONGITUD FIJA--INFORMACION GENERAL | |
| Campo de control de longitud fija | 130513s20132013////////o//////00/0/////d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER | |
| Canceled/invalid LC control number | 2013015244 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| ISBN | 9781621039990 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| ISBN | 1621039994 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| ISBN cancelado/invalidado | 9781617039225 (hardback) |
| 040 ## - FUENTE DE CATALOGACION | |
| Agencia de catalogación original | MdBmJHUP |
| Idioma de catalogación | spa |
| 082 00 - NUMERO DE CLASIFICACION DECIMAL DEWEY | |
| Número de clasificación | 791.43/611 |
| 100 1# - ASIENTO PRINCIPAL--NOMBRE PERSONAL | |
| Nombre personal | Monteyne, Kimberly. |
| 245 10 - TITULO | |
| Título | Hip Hop on Film |
| Tipo de material | [Recurso electrónico] : |
| Subtítulo | Performance Culture, Urban Space, and Genre Transformation in the 1980s / |
| Mención de responsabilidad | Kimberly Monteyne. |
| 260 ## - PUBLICACION, DISTRIBUCION, ETC. | |
| Lugar de publicación | Jackson : |
| Nombre del editor | University Press of Mississippi, |
| Fecha de publicación | 2013. |
| Place of manufacture | (Baltimore, Md. : |
| Manufacturer | Project MUSE, |
| Date of manufacture | 2015) |
| 300 ## - DESCRIPCION FISICA | |
| Extensión | 1 online resource (pages cm) |
| 336 ## - Tipo de Contenido | |
| Término de tipode contenido | texto |
| 337 ## - Tipo de Medio | |
| Termino tipo de medio | con mediación |
| 338 ## - | |
| -- | online resource |
| -- | cr |
| -- | rdacarrier |
| 504 ## - NOTA DE BIBLIOGRAFIA, ETC. | |
| Nota de bibliografía, etc. | Includes bibliographical references and index. |
| 505 0# - NOTA DE CONTENIDO | |
| Nota de contenido | Introduction -- The Case for the Hip Hop Musical -- The Sound of the South Bronx: Wild Style Reinvents the Urban Musical -- Hip Hoppers and Valley Girls: The Economic and Racial Structuring of Youth Cinema in the 1980s -- Flashdance: Breaking, Ballet, and the Representation of Race and Gender -- Conclusion. |
| 516 ## - TYPE OF COMPUTER FILE OR DATA NOTE | |
| Type of computer file or data note | Libro Electrónico |
| 520 ## - NOTA DE RESUMEN, ETC. | |
| Resumen | "Early hip hop film musicals have either been expunged from cinema history or excoriated in brief passages by critics and other writers. Hip Hop on Film reclaims and reexamines productions such as Breakin', Beat Street, and Krush Groove in order to illuminate Hollywood's fascinating efforts to incorporate this nascent urban culture into conventional narrative forms. Such films presented musical conventions against the backdrop of graffiti-splattered trains and abandoned tenements in urban communities of color, setting the stage for radical social and political tranformations. Hip hop musicals are also part of the broader history of teen cinema, and films such as Charlie Ahearn's Wild Style are here examined alongside other contemporary youth-oriented productions. Breakdancing, a central element of hip hop musicals, is also reconsidered. It gained widespread acclaim at the same time that these films entered theaters, but the nation's newly discovered dance from was embattled--caught between a multitude of institutional entities such as the ballet academy, advertising culture, and dance publications that vied to control its meaning. As street-trained breakers were enticed to join the world of professional ballet, this newly forged relationship was recast by dance promoters as a way to reinvigorate and "remasculinize" European dance, while young women simultaneously critiqued conventional masculinities through an appropriation of breakdance. These multiple and volatile histories influenced the first wave of hip hop films, and even structured the sleeper hit Flashdance. Monteyne places these films within the wider context of their cultural antecedents and reconsiders the genre's influence"-- |
| -- | Provided by publisher. |
| 520 ## - NOTA DE RESUMEN, ETC. | |
| Resumen | "Early hip hop film musicals have either been expunged from cinema history or excoriated in brief passages by critics and other writers. Hip Hop on Film reclaims and reexamines productions such as Breakin' (1984), Beat Street (1984), and Krush Groove (1985) in order to illuminate Hollywood's fascinating efforts to incorporate this nascent urban culture into conventional narrative forms. Such films presented musical conventions against the backdrop of graffiti-splattered trains and abandoned tenements in urban communities of color, setting the stage for radical social and political transformations. Hip hop musicals are also part of the broader history of teen cinema, and films such as Charlie Ahearn's Wild Style (1983) are here examined alongside other contemporary youth-oriented productions. As suburban teen films banished parents and children to the margins of narrative action, hip hop musicals, by contrast, presented inclusive and unconventional filial groupings that included all members of the neighborhood. These alternative social configurations directly referenced specific urban social problems, which affected the stability of inner city families following diminished governmental assistance in communities of color during the 1980s. Breakdancing, a central element of hip hop musicals, is also reconsidered. It gained widespread acclaim at the same time that these films entered the theaters, but the nation's newly discovered dance form was embattled--caught between a multitude of institutional entities such as the ballet academy, advertising culture, and dance publications that vied to control its meaning, particularly in relation to delineations of gender. As street-trained breakers were enticed to join the world of professional ballet, this newly forged relationship was recast by dance promoters as a way to invigorate and "remasculinize" European dance, while young women simultaneously critiqued conventional masculinities through an appropriation of breakdance. These multiple and volatile histories influenced the first wave of hip hop films, and even structured the sleeper hit Flashdance. This forgotten, ignored, and maligned cinema is not only an important aspect of hip hop history, but is also central to the histories of teen film, the postclassical musical, and even institutional dance. Kimberley Monteyne places these films within the wider context of their cultural antecedents and reconsiders the genre's influence"-- |
| -- | Provided by publisher. |
| 588 ## - | |
| -- | Description based on print version record. |
| 650 #7 - MATERIA--TERMINO TEMATICO | |
| Termino tematico o nombre geografico | PERFORMING ARTS / Dance / Popular. |
| Fuente de encabezado o termino | bisacsh |
| 650 #7 - MATERIA--TERMINO TEMATICO | |
| Termino tematico o nombre geografico | MUSIC / Genres & Styles / Rap & Hip Hop. |
| Fuente de encabezado o termino | bisacsh |
| 650 #7 - MATERIA--TERMINO TEMATICO | |
| Termino tematico o nombre geografico | PERFORMING ARTS / Film & Video / History & Criticism. |
| Fuente de encabezado o termino | bisacsh |
| 650 #0 - MATERIA--TERMINO TEMATICO | |
| Termino tematico o nombre geografico | Motion pictures |
| Subdivision geográfica | United States. |
| 650 #0 - MATERIA--TERMINO TEMATICO | |
| Termino tematico o nombre geografico | Hip-hop in motion pictures. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Display text | Online version: |
| Main entry heading | Monteyne, Kimberly. |
| Title | Hip hop on film |
| Place, publisher, and date of publication | Jackson : University Press of Mississippi, 2013 |
| International Standard Book Number | 9781617039232 |
| Record control number | (DLC) 2013019558 |
| 710 2# - ENTRADA SECUNDARIA-AUTOR CORPORATIVO | |
| Nombre de Autor Corporativo Secundario o jurisdicción | Project Muse. |
| 830 #0 - ENTRADA SECUNDARIA DE SERIE - TITULO UNIFORME | |
| Titulo uniforme | Book collections on Project MUSE. |
| 856 40 - URL/RECURSO DIGITAL | |
| Nota | Leer en línea: |
| Dirección URL | <a href="https://muse.jhu.edu/book/26717/">https://muse.jhu.edu/book/26717/</a> |
| 856 40 - URL/RECURSO DIGITAL | |
| Dirección URL | <a href="http://www.udb.edu.sv/biblioteca/inicio_recursos_electronicos.php">http://www.udb.edu.sv/biblioteca/inicio_recursos_electronicos.php</a> |
| Nota | Nota: disponible en formato electrónico, si esta fuera de la Universidad para acceder debe autenticarse primero en la sección de recursos electrónicos del sitio web de biblioteca y luego dar clic al botón leer en línea |
| 942 ## - AGREGAR ELEMENTOS DE ENTRADA (KOHA) | |
| Tipo de item | Libro Electrónico |
| Edción | Jorge Bonilla |
| 945 ## - LOCAL PROCESSING INFORMATION (OCLC) | |
| a | Project MUSE - 2013 Complete |
| 945 ## - LOCAL PROCESSING INFORMATION (OCLC) | |
| a | Project MUSE - 2013 Film, Theater and Performing Arts |
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